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In a word, "Falling red is not a heartless thing, but turning into spring mud protects flowers more", with its beautiful images, profound expressions, sincere feelings and superb artistic techniques, has become a famous sentence that has been celebrated through the ages, inspiring future generations to uphold their dedication and shine in different fields.The power of continuing dreams and inheriting missions.In a word, "Falling red is not a heartless thing, but turning into spring mud protects flowers more", with its beautiful images, profound expressions, sincere feelings and superb artistic techniques, has become a famous sentence that has been celebrated through the ages, inspiring future generations to uphold their dedication and shine in different fields.

Happiness doesn't come by itself, but you need to embrace it first. Know what you have never done, think what you will go, and you will go. Always create, achieve in everything, and make progress everywhere. Enjoy life as love gathers, and Weihai love gathers with you! Love knows the world, and be good at improving yourself! Those who love come back, and those who are blessed come back! May you have a happy life! A joy and a worry are all in the heart, and only music can solve a thousand worries. Zhihu Search Five Blessingg Love Gathering to learn more exciting content!Artistic conception creation levelArtistic technique level

This poem also contains profound inspirational meaning of continuing dreams and inheriting missions. Flowers symbolize a beautiful ideal and pursuit. Maybe we once had dreams and tried to bloom, just like blooming flowers, but when we are faced with a stage of "fading", that is, when our dreams are frustrated and our plans are blocked, we should not give up. Turning red flowers into spring mud means that we can pass on unfinished dreams and unfinished missions in another way, and help others to realize similar dreams, so that those "flowers" carrying hope and beauty will continue to bloom in the latecomers. It reminds us that each generation has its own mission. We should draw strength from the "falling red" of our predecessors, and at the same time, we should make ourselves the "spring mud" that nourishes the younger generation, so that our dreams and missions can flourish in this inheritance. No matter how the times change, we should always pursue our ideals persistently, and contribute to the continuation of our ideals with practical actions, so that the trajectory of our lives will become thicker and more powerful due to inheritance.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural.-The technique of expressing one's will by holding objects shows that the whole poem expresses one's aspirations and feelings through the concrete thing of "falling red", ostensibly describing the destination and value of falling red flowers, but in fact expressing one's grand ambition of being willing to contribute despite setbacks and eager to exert afterheat for the country and society, which makes the poem contain extremely rich and profound connotations in a short space and enhances the artistic appeal and ideological height of the poem.